Wednesday, March 5, 2008

The DVD medium has had the unforeseen capability of clarifying the appeal of classical works that are germane to the theater. Adolphe Adam (1803-1856) was born the same year as Hector Berlioz and represents the other side of the Berliozian coin. If Berlioz represents a kind of early French Romantic avant-garde, Adam is like the derrière-garde, though still fighting the same battle. Whereas Berlioz produced three cantatas to win a Prix de Rome -- the Paris Conservatoire's seeming pre-requisite to practice as a French composer -- only to discard the winning effort, Adam never succeeded in winning the Prix at all, and his family and professors alike persuaded him to find another line of work. Nevertheless, Adam prevailed simply by digging in and doing it.

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